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Martin Scorsese (b. Nov 17, 1942) is an Italian-American filmmaker who, with the help of two gigantic eyebrows living on his forehead has been a driving force in Hollywood for nearly half a century.

Snafu, captain
Leah, Kim, co-pilots

likeatravelinggirl:

Hugo - Martin Scorsese (2011) <3

(via filmsaremything)

“We share a lot of the same passion for filmmaking. We love it deeply.  It’s in our blood,” “He taught me everything I know, so his taste  is my taste.&#8221; 
“I’m a calmer person.  He goes  through very strong emotional moods because he’s constantly challenging  himself, asking have I done right here? It’s good that I work more  diligently and don’t go through the ups and downs that he does. It helps  him calm down.”
-Thelma Schoonmaker on her long-standing partnership with Scorsese

“We share a lot of the same passion for filmmaking. We love it deeply. It’s in our blood,” “He taught me everything I know, so his taste is my taste.”

“I’m a calmer person.  He goes through very strong emotional moods because he’s constantly challenging himself, asking have I done right here? It’s good that I work more diligently and don’t go through the ups and downs that he does. It helps him calm down.”

-Thelma Schoonmaker on her long-standing partnership with Scorsese

I wouldn’t mind making all my movies in 3D… (but) if I could go back in time, I’d shoot Taxi Driver in 3D. Bob De Niro in the mirror as Travis Bickle. Imagine how intimidating: ‘You talking to me? You talking to me?’ Amazing possibilities.
Martin Scorsese, Rolling Stone Magazine Interview.

Martin Scorsese reacts to his Golden Globe nomination

Making ‘Hugo’ was an extraordinary experience for me. It gave me a chance to work in 3D, which I’ve wanted to do since I was young; it allowed me to make a child’s adventure, the type of picture that I loved when I was young; and it provided an occasion to pay tribute to one of the cinema’s greatest pioneers, Georges Méliès,” he said in a lengthy statement.

Given the support they’ve provided to the Film Foundation in our efforts to restore many films over the years, the recognition of the Hollywood Foreign Press Association for this particular picture has a very special meaning for me,” he added.

THE A-Z OF MARTIN SCORSESE
H - HUGO
Scorsese&#8217;s new film is his first in 3D, and confirms our belief that  only master filmmakers should be allowed to work in that format.  It&#8217;s about a boy trying to rebuild his family, and also about the joy  of escapism - be it through cinema or literature - and its ability to  help us all. It&#8217;s no spoiler to say that silent cinema and special  effects pioneer Georges Miele&#8217;s work plays a role, nor that this is  pretty openly a fervent love letter to cinema itself. Says producer  Graham King, &#8220;It&#8217;s like Marty Scorsese is doing a Dickens film, but it&#8217;s  really about the birth of cinema.&#8221;
Empire Online

THE A-Z OF MARTIN SCORSESE

H - HUGO

Scorsese’s new film is his first in 3D, and confirms our belief that only master filmmakers should be allowed to work in that format. It’s about a boy trying to rebuild his family, and also about the joy of escapism - be it through cinema or literature - and its ability to help us all. It’s no spoiler to say that silent cinema and special effects pioneer Georges Miele’s work plays a role, nor that this is pretty openly a fervent love letter to cinema itself. Says producer Graham King, “It’s like Marty Scorsese is doing a Dickens film, but it’s really about the birth of cinema.”

Empire Online

Martin Scorsese ThinksTaxi Driver Would’ve Made a Great 3D Film

In an interview with the Deadline blog, Scorsese suggested that  his previous films Taxi Driver and The Aviator might have benefited from  being shot in stereoscope. He compared the recent wave of films using  the technology to the arrival of Technicolor in the mid-1930s.

Scorsese was asked by Deadline if he would prefer to shoot all his movies in 3D going forward. &#8220;Quite honestly, I would,&#8221; he replied. &#8220;I don&#8217;t think  there&#8217;s a subject matter that can&#8217;t absorb 3D; that can&#8217;t tolerate the  addition of depth as a storytelling technique.&#8221;

Martin Scorsese ThinksTaxi Driver Would’ve Made a Great 3D Film

In an interview with the Deadline blog, Scorsese suggested that his previous films Taxi Driver and The Aviator might have benefited from being shot in stereoscope. He compared the recent wave of films using the technology to the arrival of Technicolor in the mid-1930s.

Scorsese was asked by Deadline if he would prefer to shoot all his movies in 3D going forward. “Quite honestly, I would,” he replied. “I don’t think there’s a subject matter that can’t absorb 3D; that can’t tolerate the addition of depth as a storytelling technique.”

boston:
MOVIE REVIEW 
‘Hugo’ an intricately imagined gift from Scorsese
- In “Hugo,” an exhilarating tale of magic, machines, memories, and dreams, Martin Scorsese pulls off the neatest trick of all.

boston:

MOVIE REVIEW

‘Hugo’ an intricately imagined gift from Scorsese

- In “Hugo,” an exhilarating tale of magic, machines, memories, and dreams, Martin Scorsese pulls off the neatest trick of all.

Chloe Mortez, 14, Tricked Martin Scorsese Into Thinking She&#8217;s British
The 14-year-old was handpicked by Martin Scorsese to appear in Hugo after she played an innocent prank on him during her audition.

&#8220;It was hilarious. I was speaking in a British accent all the way through the audition,&#8221; she tells New York Magazine&#8217;s Vulture. &#8220;He was like, &#8216;Wait! You&#8217;re American? No way, kid &#8212; the whole time I thought you were a Brit.&#8217; I was like, &#8216;Thank you, Marty.

Chloe Mortez, 14, Tricked Martin Scorsese Into Thinking She’s British

The 14-year-old was handpicked by Martin Scorsese to appear in Hugo after she played an innocent prank on him during her audition.

“It was hilarious. I was speaking in a British accent all the way through the audition,” she tells New York Magazine’s Vulture. “He was like, ‘Wait! You’re American? No way, kid — the whole time I thought you were a Brit.’ I was like, ‘Thank you, Marty.

cinemastatic:
Martin Scorsese on set of Hugo

cinemastatic:

Martin Scorsese on set of Hugo

(via bbook)

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