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(Source: krisfoundnemo)
Robert De Niro as Travis Bickle, Photographed by Steve Schapiro.“The days go on and on… they don’t end. All my life needed was a sense of someplace to go. I don’t believe that one should devote his life to morbid self-attention, I believe that one should become a person like other people.”Taxi Driver (1976)
(Source: freecocaine, via quarantino)
I think Bobby and Marty are like brothers. There’s something about Bobby being Marty’s alter ego. Marty allows Bobby to do the violence; he allows him to be the hit man, so to speak. —Steven Spielberg
(Source: mattybing1025, via 2831)
THE POSTER THAT MARTY HATED!
..When Taxi Driver came along, I thought of it as a labor of love nobody was going to see. We’d had problems with censorship, the studio got mad at me because they’d been threatened with an X rating. I loved this Belgian artist and wanted him to make a painting that would be the poster for Taxi Driver. It was beautiful and I loved it. The studio made a B-movie poster, just black and white, Bob De Niro walking up Eighth Avenue, a porn theater behind him and it said, “In every city, there’s one.” I hated that poster, but it was the one that sold the picture.
-Martin Scorsese, Playboy Interview 2003
Raging Bull has tons of repressed sexuality. The love scene where she gets him to a point of desire and he pours ice water on himself. That’s interesting sexually to me.
-Excerpts from Martin Scorsese: A Journey
Taxi driver, by steve schapiro
Robert De Niro as Travis Bickle
(Source: campeondelmundo)
I considered it a true cinematic challenge of working with a versatile actor such as Robert De Niro, who moulds himself according to each character. The only other actor who matches his histrionic ability is Al Pacino.
-Martin Scorsese
AVC: You’ve said that he’s a Travis Bickle-like character. Do you see other parallels to Taxi Driver?
RG: Well, I think not really, because so much of what that character was going through was based on coming back from Vietnam, and it was a much more political film about the realities of what people were experiencing at the time. This film is much more of a fairy tale and a myth.
AVC: Do you feel they share the same fantasy of needing to rescue the girl?
RG: Yeah, I think they share that fantasy of needing to be a hero. I think you have to find a way to identify with them in order to play them. I guess there’s something about you don’t know why you’re attracted to a character, but you’re attracted to them enough to want to— it’s like when a song comes on, and you feel like dancing. You don’t know why; you just want to dance. It’s hard to analyze that feeling, and if you do, you get far away from it.
Michel Gondry’s hilarious Sweded Taxi Driver Tribute